My
Acoustic Guitar Soundboards
by
Chris Jenkins
My
goal is to make a soundboard which is as light and thin as possible, which
conducts sound well, and is strong enough to be sound structurally.
1. Selection
of soundboard. Important to pick out tops which have as much longitudinal
stiffness as possible. Ideal weight is less than 7 gm per cc. Lighter
the better. Cross grain stiffness is good, but not so important as longitudinal.
Tap tone is important.
2. Thicknessing of soundboard. Thickness to a certain stiffness. When
suspended across 2 dowels 18"apart, with dial indicator placed at
the center, and 5 lb wt placed 3" off center, soundboard deflects
.280 inches.
3. Bracing. Start with braces 3/16 inch wide and 1/2 inch high on
the 0 and 00 size guitars. Slab cut Sitka braces are stiffer than quartersawn
braces, so they can be shaved to a lighter weight while maintaining the
same stiffness as quartersawn braces. Graphite laminated braces are stiffer
than Sitka braces of the same size. However, they are heavier. When laminated
braces are shaved down to the same weight of Sitka braces, the strength
is almost identical.
4. Shaving braces. To maintain maximum stiffness with minimum weight,
braces are shaved to maintain parabolic shape. Top is tuned in mold for
maximum responsiveness. Braces are sanded smooth after shaving.
5. Bridge design and construction. The bridge is also a brace. Its most
important function is to transmit energy to the top. It should be as small
and light as possible, while still covering the braces. Rosewood bridges
weigh about 60% as much as ebony bridges of the same size. I now only
use rosewood, and weigh pieces to find the lightest pieces possible. Bridge
plate is made of rosewood also, tightly fitted between the X braces, and
larger on bass side so as to have more surface area contact with X brace
on bass side. A thin layer of graphite is laminated o the bottom of the
bridge plate to make it more wear resistant, and to make it transmit energy
more efficiently to the braces.
6. Paintings
on the underside of the top are optional. However, many experts have stated
that they do feel the guitars with abstract art on the soundboard have
a more full and balanced tone.
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