This class was somewhat freeform as Harry likes to make the session informative and interactive. He led the presentation by discussing the idea of “lore vs science” and how each may mislead a luthier in the search for sound quality. There are many myths surrounding what may create good sound quality in a guitar. He made note that it is all subjective and ultimately up to the performer and listener to determine. Design characteristics such as scale length, weight, string action and material selection are all preferences of the builder and/or the customer.

Mr. Fleishman’s designs are innovative and have proven to be very successful in the eyes of many musicians. He has adopted a variable fret spacing arrangement to improve the accuracy of tuning and response of the guitar. The tops he uses are a mix of redwood and spruce which can be joined together to help him control the instrument’s tonal color. There is also the addition of a trap door which allows him to adjust the bracing or top thickness while the guitar is tuned to pitch. Most traditional builders would agree this is a whole new way to produce outstanding results.

During the session, a discussion on new materials such as composites and urethane glue came up and most would consider them to be “non traditional” guitar making items. However the use of new techniques and materials can produce results which may have never before been considered. It seems that most innovations are derived from curiosity and experimentation.

Fleishman’s class was complete with technical papers on bracing theory, a routing arm layout, neck layout guide, multi scale fret boards and a simple safe finish process. Any way you slice it, this class was a real eye opener for most in attendance.