April 2003 at Don Chesser's New Shop

 

Don Chesser hosted our April meeting. He gave us a tour of his new facility in Carrollton in which he runs his fine furniture and home repair business "Chess Pieces". For those of you needing a new entertainment center or a kitchen remodel his business number is 972.304.8229.

He had just relocated the week before our meetng and his shop already looks good to go. He also showed a new guitar in progress. Pictured here at the right it will feature a fancy pearl Texas theme inlay on the peg head and as marker dot's. He also demonstrated his neck scarf joint assembly jig and his parallelogram binding ledge cutter.

Chris Jenkins gave an excellent presentation on how he builds the access panel he features on all of his guitars. Look for an article in The GAL Journal soon authored by Chris and Larry Mills.

Here is an excerpt form that article.

"As alternative sound holes become more common, some luthier's are finding that it's convenient to replace the traditional tail block with an access panel. It's almost essential if your truss rods are adjusted through the sound box, rather than at the headplate.

When you make a small sound hole or two in the upper bout, you must either give up the ability to reach into your guitar, or find a very dexterous toddler to stick his hand in there and do the work for you. A tail-end access panel is the solution."

Bo Walker gave a talk on his continuing quest to accurately reproduce a Selmer swing guitar. Here he is showing assorted false starts in his effort to duplicate exactly the complex neck joint that was used on the original. Check our tips page for a slick rig for cutting the required D-shaped sound hole and rosette.

Above left is Bo's old fashioned coffin cornered case that he is constructing for his mandolin. When completed it will have an upholstered interior. Bo also reminded members that he is the North Texas dealer for B-Band acoustic guitar pickups and that members can purchase these items from him at dealer cost which is less than half of suggested retail.
Member Fred Fernsemer gave presentation on the market for 8, 10 and even 12 string classical guitars. It sparked a lively debate on the merits of expanded scales and fan frets. He presented several original suggestions and showed the various fret schemes that he has developed. Look for a technical article from Fred on this topic in the future.

Chris Jenkins showed a newly completed SaddlePal. This one features his new fully adjustable/removable neck. It is possible to reset the neck with the strings in place. This one was made for country singer Wylie Gustafson. of Wylie & The Wild West.

It has a redwood top with mesquite back and sides. The rosette, headstock veneer and access panel are spaulted maple. The neck, which has no heel, is a five piece mahogany and pakkawood laminate with a burled mesquite fingerboard.

His trademark access panel opens to reveal a B-band acoustic pickup system and his famous decoupled x-brace tone bars. Like all of his instruments this one has full, rich tones and plays like a dream.

Member Chuck Lee showed his latest banjo, his 13th to date. This is his Chautauqua model. It features a laminated maple with colored veneer neck, a 25.5" scale and a 1 3/8" bone nut. The rim is a Tony Pass Lost Timbre 12" block rim. The finger board is inlayed with a vine design of pearl and abalam. The peg head has an angel inlay of pearl, gold pearl and abalam shells. Click on the picture at the right for a close up.

Check out Chuck's web site, Lone Star Luthiery, Home of the Lee Banjo.
Web site WWW.LoneStarLuthiery.com

Member, John Timblin showed his latest steel string. This one is his Fat Bottom Girl model. She is the fifth of this design and his eighth guitar since he began building. This is the fully evolved Fat Bottom Girl. To complete this design it features the new lip shaped bridge, side bracing, graphite reinforced neck and "Jenkins decoupled x-brace tone bars".

The top is sitka spruce, the back and sides are east indian rosewood. The neck is highly figured maple with double graphite rod reinforcements. It has a solid paua shell edge and back strip. The lip styled bridge is of cocobolo with bone saddle & nut and fossilized ivory pins. It sports gold Schaller tuners with ebony buttons. For amplification there is a L.R. Bagg's active I-Beam system installed.

According to musician and music editor, Rick Hessney, " once you've tried a Fat Bottom Girl nothing else will satisfy".

Click on the picture at the left for a close up.