Don
Chesser hosted our April meeting. He gave us a tour of his new
facility in Carrollton in which he runs his fine furniture
and home repair business "Chess Pieces". For those
of you needing a new entertainment center or a kitchen remodel
his business
number is
972.304.8229.
He had just
relocated the week before our meetng and his shop already looks
good to go. He also showed a new guitar in progress. Pictured
here
at
the
right
it
will feature a fancy pearl Texas theme inlay on the peg head
and as marker dot's. He also demonstrated his neck scarf joint
assembly
jig and his parallelogram
binding ledge cutter.
Chris Jenkins
gave an excellent presentation on how he builds the access panel
he features on all of his guitars. Look for an article in
The GAL Journal soon
authored by Chris and Larry Mills. |
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Here
is an excerpt form that article.
"As alternative
sound holes become more common, some luthier's are finding that
it's
convenient to replace the traditional tail block
with an access panel. It's almost essential if your truss rods
are adjusted through the sound box, rather than at the headplate.
When you make
a small sound hole or two in the upper bout, you must either
give up the ability to reach into your guitar, or find
a very dexterous toddler to stick his hand in there and do the
work for you. A tail-end access panel is the solution." |
Bo
Walker gave a talk on his continuing quest to accurately reproduce
a Selmer swing
guitar. Here he is showing assorted false starts in his effort
to duplicate exactly the complex neck joint that
was used on the original. Check our tips
page for a slick rig for
cutting the required D-shaped sound hole and rosette.
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left is Bo's old fashioned coffin cornered case that he is constructing
for his mandolin. When completed it will have an upholstered interior.
Bo also reminded members that he is the North Texas dealer for
B-Band
acoustic guitar pickups and that members can purchase these
items from him at dealer cost which is less than half of suggested
retail. |
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Fred Fernsemer gave presentation on the market for 8, 10 and even
12 string classical guitars. It sparked a lively debate on the
merits of expanded
scales and fan frets. He presented several original suggestions
and showed the various fret schemes that he has developed. Look
for a technical article from Fred on this topic in the future. |
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Chris
Jenkins showed a newly completed SaddlePal. This one features
his new fully adjustable/removable neck. It is possible to
reset the neck with the strings in place. This one was made
for country singer Wylie
Gustafson. of Wylie & The
Wild West.
It has
a redwood top with mesquite back and sides. The rosette, headstock
veneer and access panel are spaulted maple. The neck, which
has no heel, is a five piece mahogany and pakkawood laminate
with a burled mesquite fingerboard.
His trademark
access panel opens to reveal a B-band acoustic pickup system
and his famous decoupled x-brace tone bars. Like all of his
instruments this one has full, rich tones and plays like a
dream. |
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Member
Chuck Lee showed his latest banjo, his 13th to date. This is
his Chautauqua model. It features a laminated maple with colored
veneer neck, a 25.5" scale and a 1 3/8" bone nut. The rim is
a Tony Pass Lost Timbre 12" block rim. The finger board is
inlayed with a vine design of pearl and abalam. The peg head
has an angel inlay of pearl, gold pearl and abalam shells.
Click on the picture at the right for
a close up.
Check out
Chuck's web site, Lone Star Luthiery, Home of
the Lee Banjo.
Web site WWW.LoneStarLuthiery.com |
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Member,
John Timblin showed his latest steel string. This one is his
Fat Bottom Girl model. She is the fifth of this design and
his eighth guitar since he began building. This is the fully
evolved
Fat Bottom Girl. To complete this design it features the new
lip shaped bridge, side bracing, graphite reinforced neck
and "Jenkins
decoupled
x-brace tone bars".
The top
is sitka spruce, the back and sides are east indian rosewood.
The neck is highly figured maple with double graphite rod
reinforcements. It has a solid paua shell edge and back strip.
The lip styled
bridge is of cocobolo with bone saddle & nut and fossilized
ivory pins. It sports gold Schaller
tuners with ebony buttons. For amplification there is a L.R.
Bagg's active I-Beam system installed.
According
to musician and music editor, Rick Hessney, " once you've
tried a Fat Bottom Girl nothing else will satisfy".
Click
on the picture at the left for a close up.
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