Timblin Guitars Are Big,
Flashy and Unique

 

John came to instrument making after more than thirty years as a furniture builder. A friend and fellow artist asked if he would build for him a big, loud, flashy steel string guitar. His first thought was to go for a Stu Mac or Martin kit, but after a thorough study of William Cumpiano’s excellent treatise on guitar building John felt the confidence to drop the kit approach. Making use of left over mahogany from a four-posted bed project and scraps from humidor building he built his “No Name” serial #000. It turns out that John is an idiot savant when it comes to luthiery. John is not a musician and can only play a G chord, despite this handicap; every musician who has had an opportunity to play it, enthusiastically received this first instrument.

From this first success he left behind scrap material. Over the course of building eleven more instruments he developed an excellent sense of how to select, combine and tune rare tone woods and other natural materials to achieve full, balanced and rich sound from his instruments.

Follow the links below for the complete history detailing the development of the unique “Timblin Guitar” instruments.